Billions of words will be marshaled in support or condemnation of Star Wars Episode VIII. So of course, I want to add a few of my own. 😉
SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS
(This was me trying to avoid spoilers last week)
The Last Jedi is a divisive entry – to me, exactly the gut-punch this cultural juggernaut needed to stay relevant, but not all fans agree. At least, not on their first viewing.
My current favorite analysis is this article which details the many ways in which Rian Johnson upended fans’ expectations and franchise icons to deliver a better story. In it, the author details many important turns in Johnson’s script and their importance to breaking viewers’ expectations. Spoiler warning, of course! The Last Jedi Doesn’t Care What You Think About Star Wars (Slashfilm)
The following three points have stuck with me since seeing the film, along with a general awe for the gorgeous visuals and lovely John Williams score. (Do you think he hears another million $$ hit the bank every time a Star Wars film releases? haha)
Women leading like women would lead
Carrie Fisher is gone, but the film in its final form doesn’t trim her significance to this story. However, it’s not just Princess/General Leia who occupies an important role in SW:TLJ. I uttered an audible gasp at Vice Admiral Holdo’s critical moment in the film. (The on-sreen visuals alone elicited a “whoa.”) Holdo’s leadership style was not at all what Po Dameron wanted from his commander, and in that onscreen relationship, I saw the archetype of so many long-suffering women in positions of power with boys chafing underneath them because they don’t engage in the same brash, risky behavior that drives male leadership. A good read by Vanity Fair on how The Last Jedi stomps all over “mansplaining”
All over this film we see women collaborating, arguing, debating, nurturing, leading. I relished seeing Rose confront cowardice and greed and betrayal with both her heart and her head. Of course, Rey is a central figure in the entire trilogy, a young women who represents formidable integrity and hope in the face of dark times.
The Resistance army needs brave hot shots like Poe Dameron to score the big hits, but it needs good leaders who make careful decisions more than it needs bravado. But this isn’t an anti-male story — I genuinely believe Po is being set up for a strong finish in the next film, based on the cues we get from his character presentation in the final moments of The Last Jedi.
Good leaders come from both genders. It’s just that most of my female Gen-X peers never got to see women exercise that leadership without having to “play a man” to get it or keep it. And I’m relishing every strong, capable women I’ve seen on screen in 2017.
POV and narrator complexity
Rian Johnson offers us a complex web of stories which unite into a unified second entry for this trilogy. One singular element of the story is the conflicting versions of why Kylo Ren/Ben Solo destroyed Luke Skywalker’s Jedi training school. Like with so much of our messy human existence, “it’s complicated.” We’re hard-wired to assume Luke is in the right here, because he’s the hero we know and love. But Johnson’s story forces us to question why the son of Han and Leia would grow up to manifest the worst traits of his grandfather Darth Vader. We never get the whole picture, but we do begin to see more of Kylo Ren’s internal struggle, portrayed so well by Adam Driver. And this presentation of “what happened” reminds us that history is written by the teller. The facts are malleable, depending how you interpret them, how they’ve been warped by both Luke and Ben’s memories, and by the strong emotional overtones both men bring to their versions of the story.
There’s a parallel technique happening with Finn’s experience of his part in this story. We are all invested in Finn and his growth from being “a bad guy with a conscience and a choice” in The Force Awakens toward someone we assume will be important in the new world of Star Wars. Finn discovers throughout The Last Jedi that he snaps to judgments prematurely and needs to slow down and consider that he might not be seeing everything in play. This instructs us viewers as well not to make hasty assumptions about the folks who inhabit this universe. Will this new trilogy simply give us heroes descended from now-famous families? Or will we again see the rise of “nobodys” to positions of greatness?
It’s smart script writing and I’m pretty sure I’ll notice even more masterful moments when I see the film a second time.
Failure, not success, grows us into better people
Much of the fan hate arises from critique of Luke Skywalker’s part in this tale. Those of us raised on Star Wars would love to take a time machine back to the early 80s when Harrison Ford wasn’t so wrinkly and so damn grouchy, and when Luke/Leia were the hottest characters across the pop culture spectrum (whether toys or graphic novels or Halloween costumes).
Do I want to be reminded that my celluloid heroes are now old or dead? Well, no. Momento mori isn’t what I expect from a space fantasy. Yet here we are.
And The Last Jedi is so much better because Johnson wrote like a man who has lived in our world, not just in a fantasy land where people can wield light sabers and little fighters and score impossible victories in the face of an overwhelming superior yet evil Empire.
I’ve spent my life in education. Seeing Luke recoil from his own failure as a teacher resonates so much with me. Teaching is the most fulfilling, terrifying job I can conceive of. It’s not the work of it that makes teaching hard. It’s holding in your feeble hands the minds and hearts of people who might grow up to change the world if you can avoid screwing them up or cheating them out of the challenges that will force them to grow.
Fans didn’t ask for a Luke Skywalker who is aware of his insufficiency and his failures and fearful of the consequences of action now that he understands – as an old man – what those outcomes may be. And I, a 40-something woman who yearly gains a better grasp of my own shortcomings as my life flows through middle age toward old-ness, I grab hold of Luke’s story with all of my heart. It catches me even now. I want to drop everything to run out and watch the movie again so I can see Luke the Teacher, Luke the Failure, come to grips with his actions and their interplay with the free choices of Ben Solo that turned him into Kylo Ren.
The greatest teacher, failure is. ~Yoda
Luke is confronted in that significant scene on the island to remember that teachers labor to be surpassed by their pupils. That is the calling we were given, not to exercise control over our students’ choices and lives.
I’m a sentimental sot, but if you’re going to throw teacher wisdom at me in the middle of a blockbuster franchise film, I’m probably going to bawl. So I did.
* * * * *
I know fans will rage and argue, but I think The Last Jedi is some of the best and most meaningful Star Wars writing we’ve seen in years. I applaud Rian Johnson’s outstanding work on the script, and I am thrilled he’ll be at the helm of a new trilogy in the future, in some other corner of a galaxy far, far away.
Greetings RameyLady, I really enjoyed reading your assessment of TLJ. The franchise does need a shake up (and this is coming from a long term fan) because the galaxy and it’s characters have moved on. A lot of fans wanted to see Luke the “Warrior” rather than Luke the “Wise” ignoring the fact that a person can consist of more than just one trait. I can just about imagine the disappointment a teacher must feel if a pupil “fails” to succeed but after what Luke went through with his academy and Ben/Kylo, he was bound to change from the farmboy hero we once knew.
Thanks for a thoughtful read.