This will seem like a very strange followup to yesterday’s post about Christianity changing its response to abuse, but hold on till the end and I think you’ll see the connection.
South Carolina has a surprisingly robust music scene, especially in Columbia and Charleston. (The Upstate really needs to catch up. …. and develop more of a “music scene” to support a couple more good venues for good old-fashioned rock. But that’s an issue for another day.)
One of my favorite South Carolina bands is The Restoration, fronted by Daniel Machado and based in Columbia.
The hubby and I first met Daniel when he opened for some friends of ours at the local Irish pub, and then got a flat tire in the parking lot which not a one of us — even the big burly guys — could manage to break free from the rusted lug nuts. So Daniel packed himself off to our friends’ house for the night, which turned into about a 3-day saga. So I feel a bond with Daniel, one somehow linked to great music, a banjo, South Carolina, and the crappy vehicles that musicians always seem to drive because the Universe is unjust. (In MY universe, musicians would make enough to eat without worrying, and financial analysts would have to drive 17 year old Corollas with rusty fenders.)
We’ve followed Daniel ever since, making the switch with him from The Guitar Show (his first band) to The Restoration, his roots-music band that delves deep into the twisted history of the South.
An encounter with William Faulkner at a USC literature course set Daniel’s sights on Southern Gothic storytelling. He grew up steeped in the Southern civic Christianity that flavors everything down here — God is woven into South Carolina life, regardless of your personal belief. Here, especially if you’re white, good people respect the Almighty and appreciate the Bible; bad people believe evolution, vote for Obama, and claim to be agnostic. I think the Republican to Democrat ratio here in SC is something like 8 to 1. I’m not even sure why I bother to vote (because seriously, regardless of party affiliation, my vote does not matter).
The Restoration kicked things off with an incredible album called Constance. I’ve written about it before, when we attended the CD release show, and I highly recommend hitting the newspaper interviews that I’ve linked to in that post.
Constance tells the story of a biracial young man in the 1910s whose rage against the injustice of his life, both economic and racial, blazes into hatred against a particular man as the cause for that injustice. Like any good Faulkner follower, Constance doesn’t end happy, just like the racial reality of many Southern towns. (The last lynching in South Carolina was in 1947.)
This depressing narrative captured Daniel’s soul, resulting in some pretty amazing art.
The Restoration followed with a sophomore album named Honor the Father. It’s a dark, twisted story of a cultish Bible believer in the 1950s who follows Old Testament law straight into the arms of domestic abuse, murder, and weirdness. Cheery.
The album spawned a Kickstarter for an indie film – fitting for a story of the 1950s, not all Mayberry as they’re cracked up to be. You really ought to listen to the album in whole, but definitely check out the film:
Honor the Father from Christopher Tevebaugh on Vimeo.
Diana Bright grasps for a means to escape her husband’s transformation from insecure youth to domineering husband in this musical short about the 1950’s South.
The Restoration released a quick EP back in December, I think, called New South Blues. It crackles with satire toward Christians who speak so often of Gospel but live so much like the broken world we inhabit.
To quote a verse from the title track:
Lo the Facebook lamentations
About the “spoiling of the nation”
And how the good ol’ days are gone.
Oh? They never mention ol’ Jim Crow.
“In the past, turned the page”
Muslim witch hunt, Proposition 8
This is the new South
In all fairness, the South has no monopoly
On ignorance and bigotry
We just have the most trusted brand
Whenever I hear Constance or Honor the Father and especially New South Blues, it hurts my heart that so many people see Christians as racist, misogynist hypocrites.
I listen, so that I may remember. And be different.
My name is Chris Tevebaugh I directed the movie version of Honor the Father. I wanted you to know how much it means to me that you wrote such thoughtful stuff about the restoration and for sharing that story about Daniel. I hadn’t heard the flat tire story yet and found it quite charming. Great writing, great story and I appreciate the shout out you gave for our movie. 🙂
AWESOME that you came over here for a visit!! I love the film – it’s so striking and effective without words.
Daniel’s work (and the entirety of The Restoration) is so impressive. I’m proud that SC has such excellent artists. Keep filming, keep story telling! 🙂