A beautifully told story of WW2 heroism.
A stunning visualization of data about deaths in World War II – and definitely skim to the end where he puts these numbers in perspective related to the rest of the 20th century.
What a great tool!
Wrapped up an amazing week in Oak Island, NC on vacation – which took us near the USS North Carolina, a WW2 era battleship “parked” in Wilmington, NC.
So cool to scramble all over such a lovely lady of the sea. I took some iPhone shots, focusing on details mostly — old machinery, buttons and dials and switches, and the big guns. 🙂
Rarely can I say a film manages to be satisfying and UNsatiafying at the same time…..but The Debt succeeds at this paradox. It also serves up an excellent example of 20th century Jewish literature meanwhile.
The story revolves around a set of 3 Mossad agents in two different times, 1966 and 1997. The 1997 frame tale takes all its motivation from the events in 1966, so the movie spends quite a while in the flashback. Both stories are superbly acted. The trailer revealed the 3 agents had traveled to Berlin to capture a notorious Nazi doctor, the “Butcher of Bierkenau.” Things didn’t go as planned; the trio lied to cover up the truth.
(SPOILER: the 2 men and 1 woman find the Nazi doctor and kidnap him, but they miss their pickup with the other agents through their own misfortune. The men could have made the drop if they’d abandoned the woman, but the more tender-hearted of the two men-David- had a soft spot for Rachel and refused to abandon her. the Nazi eventually escaped, but the 3 agreed to create a tale in which the injured Rachel manages to shoot the guy as he tried to escape. Afterwards, having returned to Israel and a hero’s welcome, Rachel hooks up with Stephan because David can’t live with his conscience well enough to stay in her life.)
The plot hangs on the psychological and relational effects of a lie maintained for 30 years. Having absorbed all the glory of success for most of a lifetime, letting the truth come out would devastate their reputations. Even Rachel’s daughter is at stake. An aspiring author, she just published a book about the incident.
This movie has incredible acting. Some of the best I’ve seen on screen. So believe me when I say I watched the entire film with intense interest.
(again, SPOILERS AHEAD). In the 1997 timeline, which climaxes the plot, Rachel finds the ancient Nazi stowed in a Ukrainian nursing home. Someone is threatening to publishe the truth, so she’s sent to find him and stop it. She can kill the old man right there or walk away and let her daughter be dragged down along with the whole mess. It’s a good ethical dilemma. After all, the IDEA of justice has carries them all for 30 years, not the reality. As far as the public is concerned, the man got his due. But the film begins to make a case for honesty. Ok.
This is where the ending left me with sawdust instead of resolution. I don’t want to spoil the ending …. Let me just say that we get neither justice nor forgiveness.
Like so much Jewish writing in the post-Holocaust world, the Mossad agents cannot see anything except Justice. Every character in the film is controlled by their personal sense of righteousness. Their consciences haunt them, but resolution escapes them. Either they kill the man, or they live under the crushing weight of moral failure. Somehow Justice rests on their shoulders alone.
It is this moral one-sightedness that makes the film a tragedy in the final analysis. I wasn’t hoping for forgiveness or a happy ending. But a world where crime merits only utter destruction (the alternative being moral compromise) makes for a dark film. I didn’t want the agents to forgive the Nazi. Let him burn. But the idea tha they *alone* had the power to meet out justice–and failed, so now must do a lifetime of penance …which culminates in a lie ….and then an attempt at honesty which will meanwhile destroy the innocent daughter…..? This is a brutal, cold world of Justice that I don’t want to live in.
Props to the actors for outstanding performances.
Props also to the screenwriter who created incredible moments of tension and psychological terror. The film is worth your time just for the craft.
There are local musicians, and there are local musicians. Friday night we were privileged to hear Daniel Machado lead The Restoration in an incredible performance of their new album Constance. The evening was so awesome that it deserves its own report.
The Restoration is a collection of talented musicians who play a variety of instruments. I’m not sure what genre fits them best; perhaps folk-rock? They incorporate older styles and skills into a modern musical landscape, blending the modern with the traditional.
What grabbed my attention about Constance several months ago was its back-history. Daniel was researching the history of his own hometown (Lexington) and was struck by the insidious racism that marked South Carolina’s history for a century (or more) after the Civil War. His research led to creative impulse, and this incredible album is the result.
The Columbia newspaper did a series of articles on the band and their historic/social project — I highly recommend them. The first one includes a lengthy interview with Daniel and the USC American Lit professor who helped him find literary voices from America’s racist past:
Restoring the past in hopes of a better future
Paste Magazine: 50 States Project (review)
Daniel Machado published two interesting articles on Scene SC while they were recording the album:
Part 1: Out of a Nashville Studio and into the Heart of Local Racism
Part 2: Smiling Faces, Beautiful Places, and Angry White Men
And you can watch the band’s short film about the use of shape-note singing in Constance
The Making of Constance
The CD release show was a great example of how music and performance and literature and art can all combine to communicate unified story. I felt like I was watching a living “Multi-Genre Project.” The release show band included additional musicians — our friends Steven & Collin; a cellist, a sax player, etc. If you hit The Restoration’s site you can hear some of the tracks, but the entire experience of sitting in the Trustus Theater and watching the music unfold live can’t really be reproduced in a recording studio. Sometimes the emotions behind the music get lost in the digitization. I still prefer the energy of a live show to a “perfect” CD.
(If you go listen, don’t miss “Constance.” That song will stick in your mind for days.)
I should mention that two interesting acts prepared us for the performance onslaught of The Restoration. The first were dancers from the Alternacirque dancers in Columbia. I don’t know what else to say other than “a displaced tribal belly dancer originally from New Orleans found herself in Columbia and opened a studio.” Lol. It was one of the coolest things I’ve ever seen ….
Incredibly cool = getting to hear Riley Baugus play his Appalachian tunes in person. Riley is a world-famous banjo player and Appalachian mountain music man. He currently lives 10 minutes from Stevo in Winston-Salem (who promises me they’ll get to hang out soon, and I’m quite jealous). Riley gives you the history behind his tunes as he picks up the banjo or guitar or violin to transmit to us a tiny bit of America’s musical heritage. The modal melodies of the Appalachian tunes, the thumping rhythms, the lyrics/themes that suck your heart out through the sound of his raspy voice — that unmistakable blend of African and Irish/Scot/English and Native American — it takes me back to the PA mountains of my upbringing. I felt like someone had set a musical icon in front of me.
All this for $6. Ridiculous. I should mention too that the TRUSTUS Theatre is a really cool performance space! Black interior, uber-comfy seats, lots of leg room & places to put your snacks, a clear view of the stage. Thumbs up.
I bought the Constance book that accompanies The Restoration’s album, which includes lyrics and photos and the full short story which brings Daniel’s vision into focus. Holler if you want to borrow.
And if you want to hear The Restoration for yourself, they’re playing with Riley Baugus in Columbia at the end of May. Show dates/info are posted on their MySpace.